Review by Camden Ferrell Making a purchase you later regret is a universal experience. However, one can only hope that the events of The Coffee Table, which transpire after such a purchase, are as far from universal as possible. This is the second feature length film from director Caye Casas and has been played at multiple festivals since its premiere in November 2022. This horror movie is an anxiety-inducing experience that keeps you engaged from start to finish. Jesus and Maria are new parents who are dealing with the struggles of marriage and parenthood. One day, in an attempt to make their place look nicer, the couple goes furniture shopping. On this trip, Jesus finds a tacky coffee table that he buys despite Maria’s hatred of it. Soon, this purchase becomes the biggest mistake of this couple’s lives, and it changes their world forever. It’s a purposefully vague premise just because saying anything more might ruin one’s experience watching this movie. Suffice it to say, there’s an entire can of worms awaiting viewers who choose to embark on this experience. Written by Casas and Cristina Borobia, this movie is mostly dialogue driven after its opening act, and it works on multiple levels. It’s strong conversational dialogue, but it also doesn’t undermine or overpower the underlying feeling of dread and anxiety that plague the movie. The writers reveal their hand incredibly early in the movie but manage to still maintain engagement and intrigue until its final moments. The performances are another strong aspect of this movie. Led by David Pareja and Estefanía de los Santos as Jesus and Maria, they both bring a lot to the table. They have strong chemistry as disenchanted lovers combined with the stress of being new parents. Pareja especially gets a lot to work with throughout the movie, and he is the driving force of the anxiety that defines the film. They work well with the conversational dialogue and the conflicts big and small that they find themselves faced with.
This is such a difficult movie to talk about just because of how important it is for the viewer to go into it blind. While the movie still works even with crucial details revealed, I think shock factor plays an important part in the perception of the film. Regardless, it’s hard to find a horror movie more disturbing than this, and it does so while keeping making most graphic imagery implied or minimal. It’s no small feat, and it’s one that requires prowess from all departments. The only main flaw is that sometimes it feels like it’s aiming for pitch black comedy, and this doesn’t always land because of how straight the execution is. It’s a subtly confusing juggling of genres that is noticeable but doesn’t take away from how impressive the movie is as a whole. The Coffee Table is a unique movie that is distressing, disturbing, and dreadful in all the right ways. It’s tragic and tense, and its brief runtime never gives the audience a chance to breathe. It’s an impressive calling card for Casas as a director, and this movie will likely find a strong niche in the horror community. There are some small tonal problems, but it’s not enough to detract from how darkly entertaining the final product is. The Coffee Table is in theaters April 19. Rating: 4/5
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