disappointment media
  • Home
  • Reviews
  • Interviews
  • The Snake Hole
  • About

THE ALMOND AND THE SEAHORSE -- A Well-Meaning but Uneven Drama

12/15/2022

0 Comments

 
Review by Sean Boelman
Picture
Rebel Wilson as “Sarah”, and Celyn Jones as “Joe” in Celyn Jones’ and Tom Stern’s THE ALMOND AND THE SEAHORSE. Courtesy of IFC Films. An IFC Films release.
Typically, in the midst of awards season, there is one film that is a would-be awards contender that gets released quietly because it didn’t exactly turn out as planned. This year, it’s The Almond and the Seahorse, a movie with a premise that feels like clear Oscar bait but execution that is more akin to a Lifetime movie. 

Based on a play by Kaite O’Reilly, the film follows two couples whose lives are torn apart by a traumatic brain injury. There are several routes this movie could have taken — a serious drama, a sweet romance, or something else — but the film instead goes for all of the above, and the result is uneven and messy.

The movie attempts to approach the sensitive topics of traumatic brain injury and memory loss, but it bites off more than it can chew. The few scenes in which the film does engage with the material are painfully obvious expositional dialogue. Other scenes seem to completely misunderstand the discussion around learning disabilities.

Although the movie is well-intentioned, its tone is so inconsistent that it’s hard to get on board. There are some parts in which it’s attempting to be horrifying and devastating a la The Father, and others where it’s sentimental and cheesy like 50 First Dates, and the constant tonal whiplash is frustrating.
Picture
Rebel Wilson as “Sarah”, and Charlotte Gainsbourg as “Toni” in Celyn Jones’ and Tom Stern’s THE ALMOND AND THE SEAHORSE. Courtesy of IFC Films. An IFC Films release.
Rebel Wilson is not particularly known as a dramatic actress, and while she shows some potential, it can be somewhat hard to take her seriously in the role. Particularly in the more intense dramatic moments, it almost feels as if she is whining, and as a result, viewers will unfortunately be left laughing at scenes that should be devastating.

Although Wilson’s character dominates the narrative, the film is clearly trying to be kaleidoscopic in nature. The result is that a second storyline — starring Charlotte Gainsbourg and Trine Dyrholm as a couple going through a similar struggle as Wilson and her husband’s — feels entirely underdeveloped. It’s a shame, because Gainsbourg and Dyrholm are the more interesting performers.

Given that the movie is adapted from a play, there isn’t a ton of showiness to the execution, but it also fails to take advantage of the feeling of confinement like many other films about mental disability do. The whole thing has a very maudlin feel to it, not helped by oversaturated cinematography and an unfittingly vibrant score.

There are certainly some redeemable qualities to The Almond and the Seahorse, and its good intentions are quite obvious. Unfortunately, good intentions alone do not make a good movie, and the filmmakers’ misguided approach prevents this from being a worthy addition to the conversation.

The Almond and the Seahorse hits theaters and VOD on December 16.

​Rating: 2.5/5
0 Comments



Leave a Reply.

    Archives

    January 2023
    December 2022
    November 2022
    October 2022
    September 2022
    August 2022
    July 2022
    June 2022
    May 2022
    April 2022
    March 2022
    February 2022
    January 2022
    December 2021
    November 2021
    October 2021
    September 2021
    August 2021
    July 2021
    June 2021
    May 2021
    April 2021
    March 2021
    February 2021
    January 2021
    December 2020
    November 2020
    October 2020
    September 2020
    August 2020
    July 2020
    June 2020
    May 2020
    April 2020
    March 2020
    February 2020
    January 2020
    December 2019
    November 2019
    October 2019

    Authors

    All
    Adam Donato
    Alan French
    Camden Ferrell
    Cole Groth
    Dan Skip Allen
    Joseph Fayed
    Josh Batchelder
    Paris Jade
    Rafael Motamayor
    Sarah Williams
    Sean Boelman
    Tatiana Miranda

disappointment media

Dedicated to unique and diverse perspectives on cinema!
  • Home
  • Reviews
  • Interviews
  • The Snake Hole
  • About