Review by Sean Boelman
Grand Theft Hamlet is the type of documentary with an insane, bizarre concept that seemed destined to divide audiences: either a bold work of idiosyncratic creativity or a failed formal experiment. Luckily, Sam Crane and Penny Grylls’s film falls firmly into the former category — a documentary that uses its unorthodox approach in a thoroughly entertaining and unexpectedly moving way.
The documentary tells the story of two struggling actors who, during the COVID-19 lockdown, decided to band together a group of gamers to put on a production of William Shakespeare’s Hamlet within the world of Grand Theft Auto Online. It’s a crazy idea, but they make an incredibly interesting movie out of it. The main draw of Grand Theft Hamlet is the shooting technique, as the entire film is told through gameplay in the video game Grand Theft Auto. Although one might expect this to be annoying — or at least gimmicky — Crane and Grylls manage to infuse enough diversity in the presentation to keep things consistently engaging. However, what audiences will walk away from Grand Theft Hamlet most impressed with is the level of development Crane and Grylls give the movie’s subjects. This story is wisely told predominantly from the perspective of Crane and his co-organizer, Mark Oosterveen, giving the audience an angle into the story; however, the rest of the troupe also gets their chances in the spotlight. Thematically, Grand Theft Hamlet’s message is incredibly clear from the beginning. It’s an ode to connection — through both art and online gaming — particularly in a time that was defined by separation. While one might think that the time has passed for COVID films, Grand Theft Hamlet feels timeless because of its broader implications. There’s an inherent humor to much of Grand Theft Hamlet. It’s quite funny to watch the subjects reciting Shakespeare while shooting at police in video games. There are also some really funny moments originating from obstacles that arose amid the production. Just as you’d laugh at the misfortunes of the behind-the-scenes of a production, you can laugh at their virtual hijinks. However, there are also some very poignant moments throughout the movie. At a few points, the members of the troupe discuss their personal lives in ways that add another layer of depth to the story. It would have been nice to see these take more of the focus rather than being relegated to subplots, but there is a strong emotional core to the film. Grand Theft Hamlet will hook audiences with its unique, strange premise and sense of humor, but they will be more impressed by how genuinely moved they are by the time the credits roll. Although this might not be the “future” of documentary filmmaking, Sam Crane and Penny Grylls’s approach is incredibly effective in this specific instance. Grand Theft Hamlet screened at the 2024 SXSW Film Festival, which ran March 8-16 in Austin, TX. Rating: 4.5/5
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