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STAR TREK: STRANGE NEW WORLDS (Season 2) -- New STAR TREK is Better Than No STAR TREK

6/12/2023

2 Comments

 
Review by Dan Skip Allen
Picture
Photo Credit: Michael Gibson/Paramount+.
Star Trek: Strange New Worlds left fans on quite the cliffhanger in the last episode of Season 1 of this prequel series. Una Chin Reilly (Rebecca Romjin), an El-Aurian, was arrested for concealing her identity on her Starfleet Application. Season 2 picks up with that particular thread in episode two, but there is also a bit of that story in episode one of Season 2 as well. 

Episode one was a good old-fashioned adventure, with Spock (Ethan Peck) stealing the Enterprise to help La' An Noonien Singh (Christina Chong), who was embroiled in the throes of a Klingon moon. They interrupt a mission to start a war against the Klingons. Doctor M'Benga (Babs Olusanmokun) and Nurse Chapel (Jess Bush) get into a huge fight with the Klingons and almost die. This was a great way to start Season Two of this fantastic series. 

Another lingering plot thread from Season One was the lingering war with the Gorn and lizard-like species that plant their eggs in those they capture until they burst out and kill them. They are a nasty race of creatures with an Alien sense about them. They were only in one episode of the original Star Trek series called "Arena," where Captain Kirk fought one in a fight for his life. They have gotten more screen time in this series, though, and have become a main threat for the crew of the Enterprise and the Federation in Strange New Worlds. They are added to the threat of the Klingons and the Romulans, who are already the main threats.

The main character of the show is Christopher Pike (played by Anson Mount). He is the captain of the Enterprise in the 23rd Century when this show takes place. Mount has had an interesting career so far, but I think he is just getting his sea legs — or space legs, if you will — playing this character. He hasn't had that breakout episode like he did in Season One yet. He has just played his Captain's role in all the episodes given to me to review. His dreams of his impending doom from Season 1, I'm sure, will pop up again this season. Just not yet. As the main character, he has been lacking a little bit this season.
Picture
Photo Credit: Michael Gibson/Paramount+.
My favorite episode of Season 2 of the six I watched is "Charades," where Peck's Spock and Bush's Nurse Chapel are on a mission to explore an anomaly, and Spock somehow gets turned into a human. This makes for some fun stuff, where Spock learns about his new human traits, and he has to do some stuff with his wife, her parents, and his mother, which has to do with his Vulcan impending marriage. The thing is, he's still human, so this is a problem. I enjoyed all the fish-out-of-water moments that a Vulcan being turned into a human could cause.
 
A few of the other members of the bridge crew have stand-alone episodes where they are being featured. Nyota Uhura (Celia Rose Gooding), Erica Ortegas (Melissa Navia), and La'An Noonien Singh (Christine Chong) all have character-building episodes where they get the chance to shine in Season 2. Throw in a few guest appearances from characters from Season 1, including Paul Wesley as James T. Kirk, and you have a good batch of new episodes so far. I just feel Season 2 isn't as good as Season 1.

Akiva Goldsman, Alex Kurtzman, Dan Liu, and Jenny Lumet have created a fine Star Trek show. They have taken the spirit of the original series and infused it into this series nicely. They just haven't hit their stride on Season 2 yet. The last four episodes still remain, and maybe the creators will salvage this season yet. I feel Season 2 lacks the fun and enjoyment of Season 1. Nevertheless, it's still new Star Trek, and we should all be thankful for that, I guess.

​Star Trek: Strange New Worlds streams on Paramount+ beginning June 15. Six out of ten episodes reviewed.

​Rating: 3/5
2 Comments
tim eyre-swain
6/29/2023 03:38:01 pm

Una Chin-Riley is an a Illyrian not a El-Aurian, Guinan was El-Aurian not Una

Reply
Tom Perri
7/20/2023 08:22:01 am

I agree with your assessment, 100%. Season two episodes are to this point, loose. The writing is not crisp, the editing, the camera work is somewhat suspect, and the editing is relatively poor, it’s not tight.
The fight scenes look staged because they’re not being edited tightly enough. The Scripts are also loose, and are not up to season one so far, I also find much of the direction to be lacking. I think the actors are well up to it, but somehow, between the writing, the direction & the editing, it just doesn’t come together terribly well. Charades was the first good episode of season two. But to date “lost in translation” is in my opinion, by far the best episode of season two. The camera angles are tight, camera movement is excellent, the editing is spot on, and the direction, which really has responsibility for the episode, I would say, is right up to the brilliance of TNG. Even the overly loud soundtrack in this series is muted and fits its purpose to support the emotion and the tension. In too many episodes so far, I find music too loud and just too too. In “lost in translation“ i’m not hearing the music, jumping in and out, I’m feeling it supporting the story. And that’s what good scoring is supposed to do, so, bravo.
I can see what they’re doing in season two. They’re trying to get character development out front. But they should have interspersed captain pike-driven episodes, missions as they were in season, one where he gets too displaying his strength and wisdom. In the early episodes of season two, Pike is sort of an amplifier, because of the focus on singular characters in the cast. I think they could’ve brought him in more powerfully in those episodes, because not seeing the strong wise captain be the strong wise captain, well that just Star Trek heresy.

It seems season two wants to pick a cast member and, build an episode around them. I think that kind of episode would be better interspersed among other non-solo performance stories, as they were in season one.

That said. Uhura shines, Celia Rose Gooding provides a blockbuster performance. I finally can see why they cast her, the scary cat engine thing was running a little too thin. And Gooding commands the episode beautifully. Answer that my opinion that the script is far better, the camera work is far better, and the direction is far far better in this episode, which is why I call it the very best of season two. The closing scene in the lounge with live music was a wonderful touch and filmed beautifully as the camera backs away into the hallway, and the red spangly doors, swishing closed as the episode ends…it’s just way way cool. Hopefully the high production values of “lost in translation“ will be a springboard to get season two really rolling. I really want these folks to succeed

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