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MY SAILOR, MY LOVE -- A Realistic Romance With Some Dramatic Elements Thrown In

9/22/2023

2 Comments

 
Review by Dan Skip Allen
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I've noticed lately that there has been a subgenre of rom-coms and romances involving senior citizens.  Sometimes there are comedies and other dramas. My Sailor, My Love is one such kind of movie. This particular romantic drama takes place in Ireland and focuses on an old sea captain and a housekeeper — an unlikely duo to be featured as the stars of their own love story.

Sea captain Howard (James Cosmos, of Game of Thrones fame) is an old curmudgeon who lives by himself. He's a bit messy, like most bachelors tend to be. His daughter Grace (Catherine Walker) looks after him, but she's also married and is a nurse, so she's pretty busy in her own right. To solve the problem of her father being alone, she hires a housekeeper to look after him. Little does she know that her father and the housekeeper will become romantically linked.

Grace has her own life, with its own difficulties. Director Klaus Haro uses her life as a framing device in the form of a therapy group. She explains during the group meeting how difficult things are — specifically, how dealing with her father has brought back residual traumas from her past. Now he's moved on and she can't handle it, and her life is falling apart with every day that goes by.

The housekeeper Annie (Brid Brennan) consoles the old man. He has issues about his space, but eventually comes around to the equally old lady. She has her own family, but they all hit it off, and he treats them like his own, especially the two little grandchildren. Of course, this doesn't sit well with his daughter. Due to his health issues, this entire situation gets a bit complicated between all of them.
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The director sets most of the film inside the old man's home, which is mostly brownish and dark on the inside. Sometimes the film ventures outdoors, where characters are driving in cars, sitting by the sea, or walking on the beach. That's when the cinematography comes into full view. The Irish countryside, the sea, and distant hills are vividly realized on screen. This country is just gorgeous in any context — in the film or otherwise. The backdrop is like a character in the movie, like The Banshees of Inisherin in that regard.

This film has many layers to it, and they eventually lead to some sad stuff. There are residual resentments about how one character is treated, while other characters are comforted. It's a rough ending compared to how this movie started. It flips the switch on what the filmmakers wanted the viewers to think from the beginning to the end. This was quite interesting because I didn't see it coming. That made for a good plot device.

My Sailor, My Love wasn't exactly what I was expecting, and that's a good thing. Whereas others might be upset at the sad outcome of this story, I expected something different. I was hoping for a happy ending, but happy endings aren't always a realistic conclusion. This movie had a much more normal story that can be relatable to the greater audience. The director, Haro, and writers changed things up and made for a better film. Throw in some beautiful cinematography of the gorgeous Irish countryside, and you have an interesting romance.

My Sailor, My Love is now in theaters.

​Rating: 3.5/5
2 Comments
Konnie Semonski
9/25/2023 07:33:14 am

Thanks Skip. This one looks interesting.

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KenR link
2/28/2024 12:47:14 am

Highly respected Finish director Klaus Harro brings his quiet, controlled professional guidance to this introspective modern study of Familial intrigues and complexities from youth to older age. Writers Jimmy Karlson and Kirisi Vikman bring a sharp and thoughtful observation to this slice of life work. It’s pleasing to find that films of this nature and depth remain being made in this era of superficial cartoon heroes and action fodder, churned out for largely uninvolved ‘kids’ of all ages.

Strong performances are essential for stories without CGI wizardry and non-stop action, and this cast of mature-aged players certainly keep the flow of emotions on track from first frame to last. In fact, right from the first scene (Catherine Walker in a group therapy session) you know an emotional tour de force may be on its way. All the carefully selected players are totally convincing as they bring the layers of complex relationships into the viewer’s understanding. The dialog is intelligent, with the viewer needing to devote attention in following, lest you miss a vital line (having the ability to rewind is helpful) so DVD or Home Cinema set-ups can help with this.

Striking wide screen vistas of the Irish Coastline captured by Robert Nordstrom (The Disciple ’13) are a joy to take in on a larger screen. Award winning Belgium born (of Italian parents) Michelino Bisceglia supplies the descriptive (classic inspired) score. Even Finbar Furey delivers an unannounced song. Lovers of Bergman studies are more inclined to run with this one, as well as O’Neil devotees. Some have disagreed with the time devoted to certain character changes, but they are in keeping when each characters back stories are fully known.

Polished viewing for discerning viewers. Younger audiences may not be as appreciative.

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