Review by Paris Jade

As we've reached the year 2022, it's finally time for more queer films to rise into the industry. The world's latest LGBTQ+ flick is Crush, presented by Hulu. Thank you, Hulu, for giving the queer community the representation it needs, from Love, Victor in 2020 to now with Crush. Crush is positively directed at Generation Z, which isn't always a bad thing if you can pull it off right, and this film does. 
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This is honestly a simple, cheesy teen romantic comedy. It's a very predictable film as the plot goes; it's like any other romantic comedy. There are a few awkward moments in the dialogue, but some of it makes you laugh anyways. It goes through all the clichés. The main character, Paige (Rowan Blanchard), has an overbearingly supportive mother, a cheeky best friend, and of course, a crush on the most popular girl in school. If that's not the plot of every teen rom-com, then what movies have you been watching? The only difference is that it's queer. However, this does not make it a bad film. If you are a queer teen and love a good cliché film, this could be the film for you. It's incredibly relatable as a queer teen. Half of the things that Paige says in the movie are things said by almost any queer teen, which makes it so great and feel real. A great example is a joke that any queer teen has made regarding "the straightest thing they could do," which the main character makes. ​

Review by Sean Boelman

In its first season, the HBO Max romantic comedy/sci-fi series Made for Love proved to be an intriguing if messy satire. But now that the show has been able to settle on the quirkiness of the source material, it’s finally getting the chance to shine, allowing it to be something genuinely special.

Picking up after the events of the first season, the series now follows the protagonist as she has returned with her lunatic tech mogul husband to “The Hub”, his isolated and futuristic virtual reality compound. There’s a lot more to this season than the last, as gags turn into legitimate subplots and unexpected depth is added to character arcs that make them much more compelling.

For this second season, the book’s author Alyssa Nutting steps up to the plate to be a showrunner,  and that may have been the factor to bring the show to its A-game. The humor feels so much sharper here, the storylines so much more intricate, and the satire is so much more aggressive. The result is a much more enjoyable watch.

The show isn’t particularly subtle about exactly who it is poking fun at — the tyrannical mogul and his company are quite literally named Gogol, as if anyone wouldn’t immediately figure out the connotation of that — but these mega-corporations have enough money that they can take a little heat.

Interestingly, the series does not go the direction of adding new characters, but instead uses this additional time to build deeper into the existing characters, which was a very wise move. A lot of comedy shows tend to try to add even more high-profile comedians their second time around, but Nutting et al. realized that the thing that really makes their show work is its commentary and writing.

Cristin Milioti and Billy Magnussen again knock it out of the park in their roles, with a tension between the two of them that is palpable and constantly feels like it is about to explode. And thankfully, Ray Romano feels much more effectively utilized here, getting some genuinely funny moments of his own rather than just being the butt of the joke.

The fact that a majority of this season (at least in the first four episodes) occurs inside The Hub allows the series to dive even deeper into its sci-fi vibes. It’s a fascinating world that they are building, and while some of the effects look a bit wonky, it fits given the nature of what they are supposed to represent. 

Made for Love had a first season that showed it had a lot of potential, and this second season delivers on it in a way that is much funnier and much sharper. Like a lot of other comedy television shows, this started out a bit uneven, but once it was able to find its rhythm and footing, it became so much more tightly-written.

Made for Love debuts on HBO Max on April 28 with new episodes debuting subsequent Thursdays. Four out of eight episodes reviewed.

​Rating: 4.5/5

Review by Sean Boelman

Films about filmmaking are often delightful for those who have a love for the cinema, having led to some of the finest movies ever made (just see Sunset Boulevard or La La Land for some easy examples), but there has to be something else in the equation for it to stand out. Unfortunately, Pompo the Cinephile just doesn’t have a compelling enough story outside its meta elements to truly work.

As the title suggests, this is a film that is made for people who are deeply invested in the silver screen, meaning that casual moviegoers will likely be put off by the extent to which this is obsessed with filmmaking. It tells the story of a production assistant who gets his first chance to direct a movie when a famous producer entrusts him with her beloved script, and the result is as chaotic as one would expect.

However, for anyone hoping that this would be a satire in the style of The Producers that lampoons the excesses of the industry will be sorely disappointed, as it gets too caught up in being an ode to the movie-making process. It is possible to show admiration for an institution without going into outright adulation, and the film fails to do so.

There is some solid meta humor to be found in the movie, but for the most part, it’s just pretty flat. The film perhaps could have made up for its lack of humor with a strong emotionally resonant core, but it doesn’t have that either. All we get is a bunch of sentimental dribble about the magic of the movies.

​Another one of the issues with the movie is the overwhelming amount of characters. The script tries to make us care about everyone involved in the production, but trying to do so in a mere ninety minutes is overwhelming. Had this been a series, they may have been able to do something interesting with these characters, but this feature feels overstuffed and should have been narrowed down.

The voice cast of the Japanese-language version of the film is very professional and efficient, but nothing particularly memorable. They do a decent job of bringing some of the quirks of the characters to life, but they’re also very clearly all playing to archetypes. Furthermore, unlike many imports, the voice cast does not feature any huge stars.

Visually, the movie is energetic, and the anime style is obviously created to pay homage to the manga on which the film is based, but one is left wishing that this could have done more. Compared to a lot of other anime movies, this one is pretty grounded, and it would have been nice to see them do something a bit more fanciful with the medium.

Pompo the Cinephile has a premise that should be absolute catnip to film-lovers everywhere but is missing that spark to truly make it stand out. It’s definitely not a movie that is lacking in energy, although it doesn’t have the narrative drive to be compelling.

Pompo the Cinephile opens in theaters on April 29 after special event screenings on April 27 and 28.

Rating: 2.5/5

Review by Camden Ferrell

Hatching is a Finnish movie that is one part coming of age and one part body horror. It had its premiere earlier this year at the Sundance Film Festival. It marks the narrative feature debuts of director Hanna Bergholm and writer Ilja Rautsi. The movie can feel undercooked in certain places, but this is a truly unique and enjoyable approach to universal topics and themes.
 
Tinja is a young girl and an aspiring gymnast. As she deals with her demanding mother and the trials and tribulations of growing up, she discovers a bizarre egg. Tinja decides to take in the egg and keep it warm, but what hatches is not at all what she was expecting. The metaphors rooted in this premise are super obvious and set up the prevalent themes of growing up that are explored throughout the movie.
 
Rautsi takes this premise and really dives headfirst into its absurdity. This is why the movie works more than anything. Its script and story are unafraid to take this ridiculous premise and take it to its extreme. I like how it blended the coming-of-age tropes with the body horror in a way that worked and didn’t undermine the story it was trying to tell. There are some individual moments that feel out of place, but it’s a forgivable flaw in the movie.

The leading performance from Siiri Solalinna is quite impressive for a young actor. As Tinja, she is able to take on this challenging role and convincingly get the audience invested in the character’s journey and growing pains. The supporting cast who plays her family is decent but doesn’t particularly stand out compared to her performance.
 
Without saying too much and spoiling anything, this movie’s defining trait has to be its fantastic practical effects. This is a movie that revels in the realism of its characters and premise, and this is achieved in no small part due to the work of the visual effects team. It’s very well done and doesn’t distract from the deeper themes in Tinja’s story.
 
Hatching is a great calling card for Bergholm as a director. The movie may deal with common themes and tropes, but it puts a fresh spin on its story that allows it to stand out from the rest of the pack. It has some problems with pacing and narrative beats, but it’s a bold movie that doesn’t shy away from the unconventional parts of its story. Whether you love it or hate it, it’s hard to deny how oddly captivating many moments in this movie are.
 
Hatching is in theaters April 29 and is on VOD May 17.
 
Rating: 3.5/5

Review by Paris Jade

​Travel back to the 1950s, when Hollywood was a booming business that built legends and icons. One of the most glamorous stars of the day was none other than Marilyn Monroe: famous in life and death, especially her death. The Mystery of Marilyn Monroe: The Unheard Tapes​ is a documentary centered around the life and death of the eponymous starlet. It is told through archive footage of unseen interviews and audiotapes with friends of Marilyn, which came from author Anthony Summer. 
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This documentary was perfectly presented — the use of archive footage is a great way of storytelling. The editors and director did a fantastic job. While the plot itself is an incredibly sad story when you learn of the things that Marilyn had faced in her life, the group of storytellers making this film made it a very emotional journey.

The recorded tapes of Marilyn herself are put to great use in the film. As you watch the documentary, it's almost as if Marilyn tells you her life story. Her voice sounds as clear as if she were sitting in the room, and when it's over, you can't help but feel a blanket of sadness on you as you think about what you just watched and everything you've learned about Monroe. What is even more interesting and real is that once they finally get to Monroe's death, you don't hear from her again, which leaves a very eerie feeling. 

The only real problem with the film was when tapes were played of conversations between Anthony Summers and someone else over the phone. They had actors lip-sync the conversation as if they were that person. You could honestly say it feels a bit cheap when you watch it, and it could do fine without. 

If you know almost nothing about Marilyn Monroe, The Mystery of Marilyn Monroe: The Unheard Tapes is a great place to start your education on all things Monroe. However, if you already know all about the iconic star, you might already know everything there is to be theorized in this film. Summers goes into talking about her childhood and how her past traumatized her to her death, and the conspiracy theories of the cause. Any run-of-the-mill Monroe fan would know these types of things. Still, if you are a Monroe fan and just want a refresher course, you should absolutely watch this film because it is thoroughly well-made.

See The Mystery of Marilyn Monroe: The Unheard Tapes on Netflix, out April 27. 

Rating: 4/5