NewFest 2022: Cinematic Cerebrations
By Tatiana Miranda and Sean Boelman
One of the largest LGBTQ+ film festivals in the United States (and the world, for that matter), the 2022 edition of NewFest is back to take New York City by storm. Featuring a lineup of narrative features, documentaries, and short films made by LGBTQ+ filmmakers or featuring LGBTQ+ characters and themes, this is a showcase of some of the best queer films you will see all year.
We at disappointment media covered NewFest this year, both in-person and remotely. Here are some of our brief thoughts on some of the films we were able to see at the fest:
Review by Sean Boelman
Craig Boreham’s Lonesome is being sold as a modern gay cowboy movie, and while it is about gay lads in the modern-day south, it shares more in common with Mysterious Skin than it does something like Brokeback Mountain. Boreham’s film has some good visuals, but it doesn’t have the story to back it up. Instead, what we get is a barrage of excessive and explicit sexuality and sexual assault. That isn’t to say that sex in film is a bad thing — but there is little point here other than exploiting gay trauma, and it’s just quite unpleasant to watch.
Nelly & Nadine
Review by Tatiana Miranda
Nelly & Nadine is Swedish director Magnus Gertten's third film centered around WWII. However, it isn't a documentary solely about the war, instead spanning across subjects such as family, love, and the LGBTQ+ identities of the past. More a love story than a war story, Nelly & Nadine depicts the lives of Nelly Mousset-Vos and Nadine Hwang, two women who meet at the Ravensbrück concentration camp in 1944. Told through the lens of Nelly's granddaughter as she unpacks the letters and photographs her grandmother left her, this documentary is heartfelt and eye-opening to the fact that love can persevere even in the worst conditions.
Please Baby Please
Review by Tatiana Miranda
Please Baby Please is a pleasant surprise, as it is marketed as a musical but is hardly that, with only one lone musical outburst hidden between the rest of the film's antics. The movie follows two newlyweds, Suse and Arthur, in 1950s Manhattan as they witness a gang's outburst of violence. This leads to a broader discussion between the two and their friends on the topic of gender roles, kinks, and sexuality. While those topics might seem entirely separate from the main plot, they are cleverly interwoven and portrayed by the cast of characters through fantasy sequences and intense monologues that captivate the audience.
The 2022 edition of NewFest runs October 13-25 virtually and in-person in New York City.
Leave a Reply.
The Snake Hole
Retrospectives, opinion pieces, awards commentary, personal essays, and any other type of article that isn't a traditional review or interview.