THE PIANO LESSON -- A Dialogue-Driven Film That Finds Its Cinematic Groove

review by Jonathan Berk

In many cases, the concept of "show, don’t tell" is the essence of cinema. Every once in a while, though, a movie comes along that defies that principle and proves that — with the right actors — dialogue can be just as compelling as any image projected onto a screen. My Dinner with Andre is a prime example of a talkie that many find endlessly captivating. August Wilson’s previous cinematic adaptations — Fences and Ma Rainey’s Black Bottom — fall into this framework as well. While The Piano Lesson fits into this category, it is by far the most cinematic of all the entries. Fortunately, the cast in director Malcolm Washington’s feature film debut is more than up for the task.

Boy Willie (John David Washington) arrives at his Uncle Doaker’s (Samuel L. Jackson) house hoping to sell his father’s old piano. The catch, however, is that it truly belongs to his sister, Berniece (Danielle Deadwyler), who has no intention of letting it go. The two argue over their perspectives on the past, the value of legacy, and their aspirations for the future.
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Danielle Deadwyler manages to shine the brightest in this incredible ensemble cast. This is not to take away from John David Washington, who delivered his best performance since breaking out in Spike Lee’s BlacKkKlansman. Yet, there’s something about Deadwyler’s performance’s many layers that makes it undeniable. Both actors get equal opportunities to shine, and they succeed in drawing the audience into the emotionally complex world they inhabit.

They are surrounded by a wealth of talent that helps fill out the scenes. Samuel L. Jackson never disappoints, and here is no exception. He delivers some memorable monologues, but comfortably takes on a supporting role, allowing the younger cast members to truly shine. It was a treat to see Ray Fisher flex his acting muscles after his challenging time in the DCU. His character, Lymon, has two particularly powerful scenes that remind us of the talent Fisher possesses. Michael Potts and Corey Hawkins also make the most of their roles, showcasing their acting prowess in key scenes.

One of the highlights of the film that allows it to break away from the intense dialogue is its quasi-musical sequences. One standout scene features Washington, Jackson, Fisher, and Potts gathered late one night, telling stories that evolve into a rhythmic recounting of their shared history. It’s engaging in every aspect—from camera placement to the beat the men create to tell their tale. There are many memorable moments throughout the film, but this initial musical number absolutely stands out and separates itself from the rest.

Malcolm Washington employs impactful camera movement and positioning to keep the visuals dynamic, even when it’s often just people talking. The use of flashbacks and cutaways takes us out of the house where most of the story takes place, adding depth to the narrative. The story itself plays with reality and integrates supernatural elements, giving Washington the chance to experiment with creative flourishes that he is more than willing to employ. These components help this stage play adaptation feel more cinematic than Wilson’s two previous works.

The Piano Lesson finds its rhythm quickly and never goes out of key. On the surface, the story is compelling, but it's the incredible talent delivering outstanding performances that make it truly resonate. Add in the creative touches of a promising young director, and you’ve got quite a film. It’s the kind of movie that may not work for everyone, but for those who it does, it will be an incredibly rewarding experience.

The Piano Lesson will be on Netflix on November 22. 

Rating: 4/5