Review by Jonathan Berk The Western continues to exist in our storytelling for a multitude of reasons. It's the origins of our country. It's the fundamental story of good versus evil. Furthermore, there is something inherently compelling and undeniably cool about cowboys. Director Brian Skiba's new film, Guns of Redemption (2025), dabbles in the familiar tropes of the genre — but it ultimately feels similar to enduring a hungover friend attempting to recap the events of another drunken weekend. The details are there, but they aren't in the right order, and they don't really add up to anything riveting. A stranger, Luke (Casper Van Dien), offers his services as a carpenter to a small town and its church, led by Parson Dyer (Sean Astin). Luke is clearly haunted by his experiences in the war but is seeking redemption. His hope for a second chance is dashed when old enemies arrive in the town, and he feels the need to return to his violent past. When broken down into its simple parts, this story sounds quite familiar. The old gunslinger who is ready to find peace is forced to kill yet again. Shane (1953) is probably the best example of this story structure. That film is a master class that inspired the structure of Logan (2017). Unfortunately, the script leans heavily into melodrama, overcomplicating its premise. Most notably, Luke's background isn't just a mystery to the characters in the town, but also to the audience. We don't really know what motivates him, or that he is even seeking redemption. Without getting into spoilers — when we do finally find out what exactly he is seeking redemption from, the audience may find it hard to be wholly sympathetic towards him. However, if we are to root for a character to be redeemed, we must understand that there is, in fact, something to be redeemed for. The story becomes more convoluted when Anna (Siena Bjornerud), and her younger sister, Charlotte (Kaitlyn Kemp), are introduced. They are being sold to the men of the village by the notorious former Union soldier General Bork (Jeff Fahey), who has gathered a reputation of traveling from village to village, providing vices for the citizens to blow all their money on. The girls are imprisoned for a debt, and are seeking any way to escape. Luke takes note, and sees them as his opportunity to prove himself redeemed. The performances of the cast are uneven, but Fahey kind of nails the villain role. He is most definitely the highlight of the film. He brings a cold, calculating quality that makes him feel quite dangerous, even when he is doing very little on screen. Van Dien is a familiar hero, but is often relegated to B-movies like this one. His square jaw goes a long way to make him a hero figure, but it ultimately feels a bit vanilla. Astin always delivers a solid performance; however, the accent he is aims for comes and goes a bit too frequently. The two sisters are fine, but the dialogue they're given doesn’t do much to help their case. Still…it's not really the performances that bring the movie down as much as it is the story. To have a successful western, we need to know who the good guys are, and who the bad guys are. If there is a character straddling the line, we need to understand that — and see why he is leaning one way more than the other. This film dances with that idea, but never truly nails it. Every time the stakes are elevated, it feels more like a joke than a general attempt at good storytelling. All one needs to do to see this point is to read the included synopsis for Guns of Redemption that says “he must strap on his gun before he bleeds to death or dies from the bullet lodged in his spine”. That spine bullet isn't just an old injury that is a reminder of his troubled past, but rather one from his first attempt at redemption that doesn't quite go his way. If that sounded a bit like a mess, then you'd be right. Guns of Redemption is on VOD on March 7. Rating: 1.5/5
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