Review by Camden Ferrell

​For better or worse, 1986’s Top Gun is one of the decade’s defining films. Upon its release the amount of people joining the Navy to be Naval Aviators skyrocketed as did the sale of aviator sunglasses and bomber jackets. Now, over thirty years later, the sequel we never knew we needed, Top Gun: Maverick, is coming to theaters. This long-awaited film is a brilliant technical and cinematic marvel that will put the original to shame all while gracefully concluding the story of America’s favorite hot shot pilot.
 
After multiple decades of service as a Navy aviator, Pete “Maverick” Mitchell finds himself as an instructor for a group of Top Gun graduates as they prepare for a perilous mission. Here, he must confront his past and his future while helping a new generation forge their path in the Navy. This is a premise that perfectly sets up the continued development of its protagonist while providing a set-up for some high-stakes, enjoyable action.
 
Tom Cruise returns the iconic role as if no time has passed at all. He stills maintains all the charisma of Maverick, and he interacts quite well with the rest of the cast. The movie features newcomers to the series in Miles Teller, Glenn Powell, and Monica Barbaro among others. Teller and Powell stand out the most and fit perfectly in the series as Naval aviators alongside Cruise and the rest of the cast.

This sequel improves upon the original in every way imaginable. It is written better, and it actually has a strong emotional core that carries the movie on more than one level throughout. It also feels like the stakes are much higher and palpable than the original. In addition to this, Joseph Kosinski directs this movie very well. He is able to create scenes that are exhilarating and mesmerizingly captivating. There is so much energy and emotion in the way that this movie is executed that it’s hard not to love.
 
Obviously, when people see this movie, they’re going to want to see some great action in the air. I’m happy to say this movie delivers on that in surprising ways. The sequences in the air are absolutely phenomenal and will keep you on the edge of your seat. The shots from inside the cockpit are fantastic and demand to be seen on the biggest screen possible. This is a technical marvel and one of the finest examples of blockbuster filmmaking this century, and you’re going to want to be in an environment that fully immerses you into all of the excitement.
 
Top Gun: Maverick is a sequel done right, and with any luck will be more iconic than its predecessor. Kosinski directs a masterful popcorn flick that audiences of all ages will love. This is a movie that’s made for the big screen and will remind audiences why theaters remain and important part of cinema today.
 
Top Gun: Maverick is in theaters May 27.
 
Rating: 4.5/5

Review by Sean Boelman

Some thrillers hit the ground running, and others quietly creep under your skin in a way that makes it all the more impactful when it finally sinks its teeth in. The latter is the case with Alexandru Belc’s Metronom, a taut and powerful Romanian film that premiered in the Un Certain Regard section at this year’s Cannes Film Festival.

Set in Romania in 1972, the movie follows a young couple who spend their last days together before one of them leaves the country permanently. And while this may sound like just another Romeo & Juliet-type story about two star-crossed lovers, there is far more to Belc’s story than it initially lets on.

While the first half of the film plays like a hangout movie — and one with great vibes, at that — the second half is among the most excruciatingly intense you will experience in any movie this year. The film will easily have you on the edge of your seat with anxiety, wondering if the characters are going to make it out of this situation or not, because no one is safe.

Part of what makes the movie so effective is that it gives you this sense of security early on. It’s a bunch of people having fun and dancing, and it gives you the time necessary to get attached to these characters and their personalities and get wrapped up in everything that they care about, no matter how trivial.

But all along there is this threat in the background looming — the one that will tear apart our lover protagonists — and for anyone aware of the social context of the setting (or the title), it will be clear what is to come. And once it does finally hit, it is absolutely devastating, shaking you to your core.

The acting all-around is stellar, but it is Mara Bugarin and Vlad Ivanov who stand out the most. Bugarin is fantastic as the heroine, not quite as politically extreme as some of the other characters who are here to give the film its message but still in firm opposition to what is wrong. On the other hand, Ivanov is menacing as the duplicitous oppressor.

What Belc has to say here about freedom of speech is fascinating, especially in the context of what is going on in Europe (and the world as a whole) right now. It’s terrifying to think that there are still places where this is happening half a century later, but Belc issues an urgent call-to-action about the importance of this freedom.

Alexandru Belc’s Metronom is one of the most impactful movies of the year so far — starting as a charming hangout film before evolving into something much more complex and harrowing. As it continues to tour the festival circuit, make sure to seek this one out, because it is not a movie you will soon forget.

Metronom debuted at the 2022 Cannes Film Festival in the Un Certain Regard section.

​Rating: 4.5/5

Review by Sean Boelman

Jumping from the small screen to the big screen is something that many television shows have attempted to do in the past to inconsistent results. The Bob’s Burgers Movie makes the most out of the more cinematic feature-length medium while maintaining the spirit of what makes the show so great, making this one of the best animated movies of the decade so far.

The film follows the Belchers as they attempt to solve a mystery that will save their restaurant after a sinkhole opens up right in front of it. Like the best episodes of the show, this features a larger-than-life story (and at an even bigger scale) while still emphasizing the familial aspects that fans have come to love.

The laughs in this movie come very frequently, especially for fans of the series. There are several callbacks here that are going to have those who regularly watch the show rolling in laughter. Still, that doesn’t mean that the film is a fans-only affair — there’s plenty of goofy humor here that is sure to have anyone chuckling, and it is clearly a labor of love for the filmmakers who put a great deal into making this excellent for both regulars and newcomers.

Of course, one thing that this feature-length format allowed the movie to do was go wild with the musical aspect. Some of the fan-favorite episodes of the show are the two-part musical season finales, and this film takes it even further. There are four songs in the movie that, beyond being hilarious comedy songs, are also just great songs in general.

Perhaps surprisingly, Bob’s arc in this film isn’t the focus. He’s really the comedic side character in this one, who is doing the wacky antics. Tina and Gene also have some amusing subplots that mirror a lot of what they have been going through in the past few seasons, only with a bit of a bigger scale since the budget allows it.

Louise really takes the driver’s seat here, being both the main character of the plot and the emotional core of the movie. She has a lot more growth in this film than she has in most of the recent episodes — perhaps because the creators knew this was coming and would shift her character so significantly — but it’s a fantastic treat for fans.

Having a feature-length movie’s budget rather than that of a single television episode really allows the film to go much bigger with its animation style. The contrast is much deeper and the backgrounds are much richer and more detailed. The filmmakers really made the most of their budget instead of just making a longer episode of the show.

The Bob’s Burgers Movie both fits wonderfully within the context of the show and stands out as an excellent animated movie in its own right. It’s basically Stand by Me if it were made by a bunch of musical theater kids, which is something that was perfect for this fan of the series.

The Bob’s Burgers Movie hits theaters on May 27.

Rating: 5/5

Review by Sean Boelman

There aren’t very many queer films that come out of the studio filmmaking system, so the fact that Fire Island exists in the first place is a miracle in and of itself. But even beyond its cultural significance in the filmmaking world, this romantic comedy is fantastic in its own right, one of the funniest, most poignant LGBTQ movies in quite a while.

The film follows a group of friends who take a vacation at the legendary gay destination the Fire Island Pines, getting entangled in various romantic trappings along the way. Inspired by Jane Austen’s beloved novel Pride and Prejudice, Joel Kim Booster’s script takes familiar tropes of romantic comedies and puts an even more intelligent, earnest spin on them.

One of the best things about Kim Booster’s script is the way in which it blends widely accessible sex comedy with very specific queer humor. There are bits in this movie that are designed specifically to make the LGBTQ community laugh, and it’s great that this type of representation and jokes are being made on a massive platform such as this.

However, this isn’t just some frilly comedy. Like Austen’s iconic romance, this film has its finger on exactly what is happening in the world of modern romance. The movie addresses a lot of the issues that the LGBTQ community is facing right now in a way that is extremely honest and insightful.

Much of the film’s success is owed to the dynamic that exists between the main group of friends, and it is absolutely fantastic. With an ensemble movie like this, one normally expects there to be at least one person who is left in the dust, but we really get to admire and love all of these characters equally.

Kim Booster takes the lead in the script he wrote, and SNL’s Bowen Yang gets the other main role. Both are fantastic and each have the commanding screen presence it takes to lead a romantic comedy like this. Matt Rogers, Tomas Matos, and Torian Miller round out the group charmingly well. Everyone who watches this film is going to have a favorite character — and all of them will have their share of fans.

However, perhaps the single biggest standout in the cast is Conrad Ricamora, who plays this story’s Mr. Darcy. It’s one of the most fascinating characters in all of literary history, and he does an exceptional job of bringing his own spin to it. His chemistry with Kim Booster is pitch-perfect too, capturing the unique dynamic between the two.

Fire Island is a fantastic reimagining of a literary classic for the modern age. Joel Kim Booster’s script is one of the smartest in any romantic comedy in recent years, much less a queer romantic comedy, making this a movie not to miss.

Fire Island streams on Hulu beginning June 3.

Rating: 4.5/5

Review by Tatiana Miranda

Stranger Things finally returns three years later with its fourth season, split into two parts. Season four begins six months after the events of season three, with the leading characters now split up between Lenora Hills, California, and the familiar Hawkins, Indiana. The new setting comes with new characters and trials for those who reside there, but the main danger comes from Hawkins, as it often does.

Unlike its past seasons, season four of Stranger Things explores a horror genre separate from its sci-fi roots. The new season hones in on popular supernatural horror of the time, such as A Nightmare on Elm Street. Gruesome character deaths are reminiscent of Freddy Krueger's torment, and there's even a spooky boiler room scene. This new nightmarish style of horror is very different compared to the sci-fi feeling that Stranger Things fans are familiar with. While it still has elements of sci-fi, the presence of haunted houses and possible demonic possessions move the show into a new era of frights.

The new changes to Stranger Things don't stop at the genre-bending, but it also continues to develop with the presence of new characters. One new character, Eddie Munson, is one of the most notable new faces. A clever representation of the weird kid trope and alternative subcultures of the eighties, Eddie is the Dungeon Master of Mike, Dustin, and Lucas's Dungeons & Dragons group. While his personality closely resembles Steve's goofy but tough older brother vibe, it's clear that he is not the story's hero but instead just a pawn to keep it going. Although that's not to say his scenes with Steve, Robin, and Nancy aren't extremely enjoyable to watch.

Even more so than in the last seasons, the jumble of locations and storylines tends to get confusing and messy as the episodes go on. Where season three managed to get the hang of balancing out all the different groups, season four spreads itself thin, which makes sense why it is ultimately divided into two parts. Season four also marks the return of the same Russia plotline from season three, which takes up more of the season than it should as it is easily one of the most uninteresting parts of the entire series.
 
Volume one of season four of Stranger Things does as much as it can in its six episodes. Beyond bringing old friends and lovers together, it also establishes new bonds and growth for certain fan-favorite characters. For example, El's story goes beyond just her struggles in her new home in California since she also starts to come to terms with her past and what it's like to live without her powers. Max also particularly steals the show as she deals with losing her brother, Billy. This season's high school-centered subplots are utilized well by putting the characters in new predicaments outside of the supernatural, which makes the show's character-building even better than it already is.
 
Volume one of Stranger Things season four begins streaming on Netflix on May 27th. All six episodes of volume one reviewed.
 
Rating: 4/5